Hayao Miyazaki, one of the most important names in the Japanese animation industry. His works are created with children in mind and have fantasy and magic. No matter Nausica? of the Valley of the Wind, Castle in the Sky, or My Neighbor Totoro, they are children-oriented but not only accessible to all but loved by all, enjoying themselves in the fascinating world of Hayao Miyazaki, and childhood innocence, friendship and the belief that magic is around us.
The story of My Neighbor Totoro follows Satsuki and Mei, two little sisters Satsuki and Mei’s adventure in their new house. Satsuki and Mei have recently moved to a countryside area with their father, and their mother has been rehabilitating at a nearby hospital and the move was made so that they could be closer to her. Besides, it can provide her a better environment once she is allowed to go home.
Exploring their new house with Satsuki and Mei, the audience gets a taste of mystery and magic with the introduction of small, shadowy, black creatures that are first referred to as “dust bunnies” and then “traveling soot.” When Mei is playing in the garden, she sees two little rabbit-like creatures in the grass. She follows them, and when she tumbles down an enchanted garden path abercrombie uk , she meets a giant and fuzzy forest creature that she dubs “Totoro.”(Totoros can be seen only through the eyes of children.) Well, we meet three Totoros here, O-Totoro (in Japanese the “O” means “large”, but US translations dubbed him “King Totoro”), Chuu-Totoro (which means “medium”), and Chibi-Totoro (which means “small”), follow the adventure of these two little sisters and meet some other extraordinary characters, including a cat that doubles as a bus.
My Neighbor Totoro had become one of the best beloved of all family films since it was released in 1988, without ever having been much promoted or advertised. On the Internet Movie Database, it’s voted the fifth best family film of all time, right behind “Toy Story 2” and ahead of “Shrek.” The new Anime Encyclopedia calls it the best Japanese animated film ever made. Whenever I watch it, I just smile, and smile, and smile.
Unlike the typical Disney films, the children’s antics never seem contrived or fall into a battle-against-adults storyline. Though the world of My Neighbor Totoro is ultimately benign, it is not Pollyanna, not without anxieties or crises, or focused only on the bright side. Over the whole film hangs the shadow of the illness of the mother, who is hospitalized (her daughters don’t exactly know why). In a tense third act, the girls even face the possibility that their mother may be dying, and Satsuki deals with the crisis of Mei’s disappearance.
And here is one facet of the film’s uniqueness: While it ends on a reassuring note, it is not the story of the mother’s eventual release from the hospital and return to her family. In marked contrast to a typical Hollywood family film, which would end with all conflicts resolved and all plot threads tidily wrapped up, Miyazaki’s film achieves peace even as the hoped-for resolution is still in the future.
I love Hayao Miyazaki’s animation very much. And the fact that Hisaishi Jo’s music feels so right for the every movie is icing on the cake.
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